2016 Rittenhouse James Bond 007 Classics - The Man with the Golden Gun Throwback
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Set Links
Overview | Checklist | Errors / Variations | Rookies | Inserts and Related Sets | Comments | Packaging | Pricing | Sell Sheets / Ads | Trivia | Videos | Forum | External Links | Change Log | Contributors | Glossary | Gallery | Stats | Collection Summary
2016 Rittenhouse James Bond 007 Classics
The Man with the Golden Gun Throwback
TweetCards |
1 | Credits | ||||||||||||||||||||
2 | On a remote island in the South China Sea, Francis | ||||||||||||||||||||
3 | On the opposite end of the island, Nick Nack greet | ||||||||||||||||||||
4 | At his island complex, inside a room specially des | ||||||||||||||||||||
5 | Having explained his knowledge of Scaramanga to M, | ||||||||||||||||||||
6 | 007 travels to Beirut and locates Saida, a cabaret | ||||||||||||||||||||
7 | 007 tries to take the bullet - now a charm embedde | ||||||||||||||||||||
8 | After retrieving the bullet that killed 002, James | ||||||||||||||||||||
9 | 007 travels to Macau, where he locates Lazar, the | ||||||||||||||||||||
10 | Holding Lazar at gunpoint, 007 demands information | ||||||||||||||||||||
11 | 007 follows Lazar to a casino in Macau and waits t | ||||||||||||||||||||
12 | James Bond follows Scaramanga's beautiful female a | ||||||||||||||||||||
13 | After disembarking in Hong Kong, Scaramanga's agen | ||||||||||||||||||||
14 | 007 finds out that Scaramanga's female agent - And | ||||||||||||||||||||
15 | 007 waits patiently outside the Bottoms Up Club fo | ||||||||||||||||||||
16 | Scaramanga secretly positions himself across the s | ||||||||||||||||||||
17 | After assassinating Gibson, Scaramanga returns to | ||||||||||||||||||||
18 | Lt. Hip takes 007 to the sunken Queen Elizabeth, w | ||||||||||||||||||||
19 | 007 travels to Bangkok to meet Hai Fat, an industr | ||||||||||||||||||||
20 | Posing as Scaramanga, 007 returns to Hai Fat's est | ||||||||||||||||||||
21 | 007 awakens the next morning with three beautiful | ||||||||||||||||||||
22 | 007 escapes through a window at Hai Fat's karate s | ||||||||||||||||||||
23 | James Bond gets away from Hai Fat's karate thugs b | ||||||||||||||||||||
24 | As Bond continues down the river, he passes a boat | ||||||||||||||||||||
25 | Hai Fat becomes highly agitated to receive a messa | ||||||||||||||||||||
26 | Inside Hai Fat's office, Scaramanga casually assem | ||||||||||||||||||||
27 | Bond and Goodnight share a bottle of local champag | ||||||||||||||||||||
28 | 007 returns to his hotel room and finds Goodnight | ||||||||||||||||||||
29 | Miss Anders arrangesw to meet 007 at a boxing matc | ||||||||||||||||||||
30 | Scaramanga sits next to Bond, as Nick Nack takes a | ||||||||||||||||||||
31 | Lt. Hip gives the Solex Agitator to Goodnight and | ||||||||||||||||||||
32 | Outside the boxing arena, Goodnight follows Nick N | ||||||||||||||||||||
33 | Goodnight radios to Bond that she's in the trunk o | ||||||||||||||||||||
34 | With Sheriff J.W. Pepper at his side, Bond follows | ||||||||||||||||||||
35 | Scaramanga and Nick Nack transform their AMC Matad | ||||||||||||||||||||
36 | Back on board the Queen Mary, Bond and Hip report | ||||||||||||||||||||
37 | Tracking the signal from Goodnight's homing device | ||||||||||||||||||||
38 | 007 is surprised to receive a warm welcome from Ni | ||||||||||||||||||||
39 | 007 correctly deduces Scaramanga's plans for reapi | ||||||||||||||||||||
40 | Scaramanga leads 007 to his dining room, when sudd | ||||||||||||||||||||
41 | Bond reaches for his pistol, but Scaramanga outdra | ||||||||||||||||||||
42 | Nick Nack referees the duel between Scaramanga and | ||||||||||||||||||||
43 | After taking 20 paces, Bond turns and fires the fi | ||||||||||||||||||||
44 | In what appears to be a "fun house" for assassins, | ||||||||||||||||||||
45 | With Scaramanga dead, Bond and Goodnight search fo | ||||||||||||||||||||
46 | Bond locates the Solex Agitator, but it is locked | ||||||||||||||||||||
47 | Goodnight manages to shut down the solar energy sy | ||||||||||||||||||||
48 | Bond and Goodnight rush to escape Scaramanga's com | ||||||||||||||||||||
49 | As Bond and Goodnight begin a romantic interlude a | ||||||||||||||||||||
50 | Bond returns to bed with Goodnight. However, a pho |
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