1994-95 21st Century Archives The Petty Girl
Total Cards: 100
Rating: 8.0 (2 votes)
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Overview | Checklist | Errors / Variations | Rookies | Inserts and Related Sets | Comments | Packaging | Pricing | Sell Sheets / Ads | Trivia | Videos | Forum | External Links | Change Log | Contributors | Glossary | Gallery | Card Rankings | Collection Summary
1994-95 21st Century Archives The Petty Girl
TweetRankings | List | Gallery |
1. |
#25 | "I'm returning your fraternity pin and the perfum | 100.0% (4/4) | |||||
2. |
#28 | "Talk about ingratitude! - he never says a word a | 100.0% (2/2) | |||||
3. |
#3 | "A dry Martini and a package of pins!" | 100.0% (2/2) | |||||
4. |
#39 | A stocking model's smile is winning, But not as m | 100.0% (2/2) | |||||
5. |
#71 | "Now, none of your tricks, Everett." | 100.0% (2/2) | |||||
6. |
#77 | One of George's sauciest concepts: If it had not | 100.0% (2/2) | |||||
7. |
#94 | The Ridge Tool Company calendars are extremely ra | 100.0% (2/2) | |||||
8. |
#100 | Esquire Cal. - 1956 | 100.0% (2/2) | |||||
9. |
#93 | Paintings after January 1946 give us a Petty Girl | 100.0% (1/1) | |||||
10. |
#98 | We have here, from the 1956 calendar, one of the | 100.0% (1/1) | |||||
11. |
#84 | (cont.) Reader response was loudly negative and o | 100.0% (1/1) | |||||
12. |
#86 | Miss Self-Salesman: Arguably, the single most imp | 100.0% (1/1) | |||||
13. |
#73 | "So he pointed out--even if we are divorced, we'r | 100.0% (1/1) | |||||
14. |
#75 | "It isn't that I have anything else on, Mrs. Van | 100.0% (1/1) | |||||
15. |
#58 | "If your husband can't sleep, why don't you pull | 100.0% (1/1) | |||||
16. |
#35 | Miss Spring Fever | 100.0% (1/1) | |||||
17. |
#50 | In 1971, Petty was paid homage by Esquire in thei | 100.0% (1/1) | |||||
18. |
#53 | "No particular floor--just drive up and down." | 100.0% (1/1) | |||||
19. |
#60 | "Oh, Mr. Feinberg, you and your pretty phrases." | 100.0% (1/1) | |||||
20. |
#10 | Petty's biggest account came in 1932 with Atlas/P | 100.0% (1/1) | |||||
21. |
#11 | "To 1937" | 100.0% (1/1) | |||||
22. |
#2 | "Darling, what - kachoo - difference does age - k | 100.0% (1/1) | |||||
23. |
#18 | "Why, Mr. Hutton! You're painting with the wrong | 100.0% (1/1) | |||||
24. |
#61 | "Will that be all, sir?" | 75.0% (3/4) | |||||
25. |
#52 | "I want to see Mr. Culbertson!" | 50.0% (1/2) | |||||
26. |
#27 | "Well-l-l - evidently what I gave him last Christ | 50.0% (1/2) | |||||
27. |
#42 | Painted in 1939 for Blue Jay Complasters, this un | 50.0% (1/2) | |||||
28. |
#21 | "It all came about through a combination of thing | 50.0% (1/2) | |||||
29. |
#1 | "I'm playing Easter Bunny for the kiddies, but no | 50.0% (1/2) | |||||
30. |
#76 | "My lawyer wants me to change the charge from des | 50.0% (1/2) | |||||
31. |
#81 | Besides the Ziegfeld Follies pieces, George obtai | 50.0% (1/2) | |||||
32. |
#82 | The majority of George's work for True must be co | 50.0% (1/2) | |||||
33. |
#99 | In 1942, upon completion of a three-year art appr | 50.0% (1/2) | |||||
34. |
#32 | Miss Elusive | 33.3% (1/3) | |||||
35. |
#34 | "I don't aim to die with my boots on, bub" | 0.0% (0/1) | |||||
36. |
#26 | "An advertising agency wants to know if we're lis | 0.0% (0/1) | |||||
37. |
#12 | "Come in - who is it?" | 0.0% (0/1) | |||||
38. |
#13 | "But I can't see you tomorrow, darling, I'm getti | 0.0% (0/1) | |||||
39. |
#15 | "A banker" - Well, bring him up - I've always wan | 0.0% (0/1) | |||||
40. |
#17 | "I want to report this phone out of order - I hav | 0.0% (0/1) | |||||
41. |
#6 | (Daughter Marjorie) | 0.0% (0/1) | |||||
42. |
#7 | "Thanks for the hospitality, Mr. Grover, but I do | 0.0% (0/1) | |||||
43. |
#8 | "He was calling from California - now will you st | 0.0% (0/1) | |||||
44. |
#9 | "I've been frightfully restless all day dear - br | 0.0% (0/2) | |||||
45. |
#44 | Another salute to George's great love - hunting. | 0.0% (0/2) | |||||
46. |
#48 | Petty went into semi-retirement after the Esquire | 0.0% (0/3) | |||||
47. |
#49 | First reproduced here, this frenetic concept was | 0.0% (0/1) | |||||
48. |
#41 | "This suit is modest, warm to wear. Tell me, men, | 0.0% (0/1) | |||||
49. |
#57 | "You probably don't realize that nature has been | 0.0% (0/1) | |||||
50. |
#62 | "Union Depot? Mr. Smith wants to make a cancellat | 0.0% (0/2) | |||||
51. |
#67 | "What do you mean you've gone broke and I'm the o | 0.0% (0/1) | |||||
52. |
#68 | "I suppose this bum check is your idea of an Apri | 0.0% (0/3) | |||||
53. |
#69 | "I'm not worried about that. I've got a share-the | 0.0% (0/1) | |||||
54. |
#83 | His personal take on the female figure often resu | 0.0% (0/2) | |||||
55. |
#91 | A pivotal work in the evolution of the Petty Girl | 0.0% (0/1) | |||||
56. |
#80 | Sometime in late 1944, George was commissioned to | 0.0% (0/2) | |||||
57. |
#59 | "But Reverend, what makes you think I couldn't | 0.0% (0/1) | |||||
58. |
#72 | "We farmers' wives know what it is to slave over | 0.0% (0/2) |